The Fight Club Spirit Behind ‘Never Enough’

“Never Enough” is not just a track: it’s a state of mind. It’s the voice of a generation of artists who give everything and receive nothing. It’s the story of a discarded self — ignored, left behind — returning stronger, more adapted, more aware.

In the game, Saddler’s followers believe that “to die is to live.” KENN reinterprets this idea through music: dance or be trapped in the passivity of the digital age.
An Inner War: A Bruised Past, a Present in Battle
This project is born from an internal war, like a lost scene from Fight Club. There are two versions of me: one broken, rejected, underestimated. The other, more polished, but carrying the same wounds beneath the skin. “Never Enough” is the clash between those two worlds: the one who gave everything and got nothing, and the one who understands that, even so, you must keep going.
The aesthetic of the track — me bloodied, shirtless, beaten — is the symbol of that battle. It’s not just a nod to Tyler Durden: it’s the visual translation of an industry that doesn’t see you until it’s convenient. It’s the image of someone giving 100% without recognition, yet still choosing to continue.
Where Tyler fights to feel alive, I fight because I already am — and I refuse to let that be erased. His chaos is a cry for freedom. Mine is a response to being forgotten.
“Never Enough” channels that moment when, after a thousand closed doors, you learn to build your own.



Art Is Born from Discard
The soap is more than a Fight Club reference. In that story, the best fat for making soap came from human bodies. It’s a brutal but accurate metaphor: what’s discarded can become the raw material for something beautiful.
That’s exactly how I felt. Discarded in my home country. But from that rejection, I built this track. That’s why the soap engraved with “Never Enough” isn’t just part of the visual concept — it’s the heart of it. Because sometimes, they use you, ignore you, squeeze you dry… and then want you back.
It’s a direct message: the artist is not just inspiration and magic. It’s sacrifice. Hours of work without results. Frustration and hunger. But it’s also resilience. From what others throw away, I make music.
Nothing Is for Love: Everything Is Bought, Everything Is Sold
Today, music isn’t measured by depth — but by numbers. Likes, plays, contracts, clicks. If you don’t have that, you don’t exist. The question is no longer whether the art is worth it, but: what are you willing to give in return?
The industry changed. Making music is no longer enough — you must master the algorithm, belong to a circle, know the right people. It’s not about talent anymore, but who you know, what side you’re on. It’s like joining a cult: either you fit, or you’re out.
And I don’t judge it, but it’s a contradiction. Like the soap in Fight Club: made from what’s discarded. They want authenticity, but only within a mold. They want emotion, but not discomfort. They want art, but risk-free.
This track is how I look back at them. My response to the system that measures everything, negotiates everything, monetizes everything. “Never Enough” is that discomfort turned into sound. It’s my voice, on loop, saying: it’s not enough. It’s never enough.

The lyrics and creation of the track.
End or Beginning?
“Never Enough” is a breaking point. A symbolic ending, yes. But also a beginning. Because when you’ve given everything and it’s still not enough, there’s only one option: keep breaking the rules. Not out of empty rebellion, but out of necessity.
It’s an act of faith in yourself, in your vision. A reminder that even from the margins, even without support, there’s value in what we create. Even if they discard you, even if they don’t see you — if your fire is still alive, they can’t stop you.
This isn’t just a song. It’s my manifesto. It’s the declaration that I’m here, that I’m not done, that I won’t give up.
Because maybe I’ll never be enough for them… but I’m exactly who I’m meant to be.
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